Memory forms at a point,
you said. Where four lines meet,
two lines aren’t mine. I said,
memory is a flat plane that knows
a mirror’s shadow. You knew the
line of sight, low moon of thumb-
nail to high window, before you
placed me naked behind the glass.
If a face appears in a dream,
I said, it blocks another face.
Morning like a line protruding
into the sky of the present, unlike
the singing of a finger against
the wine glass rim. Your hand
was warm. You cannot govern,
I said, when you feel the archive.
And this displacement suggests
another, triangulating the depths
of something, another jury queued
to enter our conclusive room.
In the mirror was not myself
but a movement along the brink
of what I was. Your cheek was
gone. I said, you forgot what
point it was I called paradise.
You said, you have to learn
to take better care of yourself.

For more information about this piece, see this issue's legend.


Hilary Plum is the author of the novel Strawberry Fields; the work of nonfiction Watchfires; and the novel They Dragged Them Through the Streets. She teaches at Cleveland State University and is associate director of the CSU Poetry Center.

The CSU Poetry Center
Rhodes Tower 415

A place to think and shout about and in poetry, to do its business, and with good windows for watching storms.